Ella SaddingtonAbout
CV Dossier
Ella Saddington is an experimental designer, researcher, and artist currently based in Naarm/Melbourne, Australia. Her practice explores the intersection of craft, material culture, and design, focusing on reactivating pre-industrial techniques within contemporary contexts. Through her studio, Cordon Salon, Saddington investigates the tacit knowledge embedded in traditional craftsmanship, blending historical research with material experimentation to create objects that are both functional and deeply resonant.

Saddington’s work spans sculpture, furniture, and lighting, characterised by a rigorous engagement with process and an enduring inquiry into sustainability, legacy, and the transmission of skill. Her practice is defined by meticulously investigating how objects are made, the systems that sustain them, and their cultural significance. By reframing overlooked or obsolete craft practices, Saddington reveals their enduring relevance, contributing to a broader discourse on materiality and innovation in design.

Her work has been exhibited widely in Australia, with notable presentations at the Melbourne Art Fair (2024), the National Gallery of Victoria (2023), Oigall Projects (2023), Craft Victoria (2022) and Sophie Gannon Gallery (2021), and is held in private collections internationally. 

In 2022, Saddington was awarded the George Alexander Fellowship by the International Specialised Skills Institute, supporting an intensive study into the material intelligence of medieval and early modern European armour-making. She is a recipient of the Creative Victoria 2023 Creators Fund (Aus) and a member of the Royal Anthropological Institute (UK) a member of the National Association of Visual Artists (Aus) and Craft Victoria (Aus).





Commissions and collaborations welcome  
Get in touch:

Email: ellasaddington@gmail.com
Instagram: @ellasaddington
Are.na: Ella Saddington



































I acknowledge the Traditional Owners, the Wurundjeri and Boon Wurrung people of the Kulin Nation, as the traditional custodians of the land on which I live and work. I pay my respects to their Elders past, present, and future, and extend this respect to all Indigenous Nations for their enduring stewardship, wisdom, and creative contributions.
Ella Saddington is an experimental designer, researcher, and artist currently based in Naarm/Melbourne, Australia. Her practice explores the intersection of craft, material culture, and design, focusing on reactivating pre-industrial techniques within contemporary contexts. Through her studio, Cordon Salon, Saddington investigates the tacit knowledge embedded in traditional craftsmanship, blending historical research with material experimentation to create objects that are both functional and deeply resonant.

Saddington’s work spans sculpture, furniture, and lighting, characterised by a rigorous engagement with process and an enduring inquiry into sustainability, legacy, and the transmission of skill. Her practice is defined by meticulously investigating how objects are made, the systems that sustain them, and their cultural significance. By reframing overlooked or obsolete craft practices, Saddington reveals their enduring relevance, contributing to a broader discourse on materiality and innovation in design.

Her work has been exhibited widely in Australia, with notable presentations at the Melbourne Art Fair (2024), the National Gallery of Victoria (2023), Oigall Projects (2023), Craft Victoria (2022) and Sophie Gannon Gallery (2021), and is held in private collections internationally. 

In 2022, Saddington was awarded the George Alexander Fellowship by the International Specialised Skills Institute, supporting an intensive study into the material intelligence of medieval and early modern European armour-making. She is a recipient of the Creative Victoria 2023 Creators Fund (Aus) and a member of the Royal Anthropological Institute (UK) a member of the National Association of Visual Artists (Aus) and Craft Victoria (Aus).





Commissions and collaborations welcome  
Get in touch:

Email: ellasaddington@gmail.com
Instagram: @ellasaddington
Are.na: Ella Saddington



































I acknowledge the Traditional Owners, the Wurundjeri and Boon Wurrung people of the Kulin Nation, as the traditional custodians of the land on which I live and work. I pay my respects to their Elders past, present, and future, and extend this respect to all Indigenous Nations for their enduring stewardship, wisdom, and creative contributions.

PROJECT: Melbourne Art Fair, 2025 
A Study in Reflection and Texture  
                                  

For the Oigall Project VIP booth at the Melbourne Art Fair, the Wallace Lamp evolves—now available in two distinct finishes, Mirror Polish and Satin, as well as in two sizes: Wallace and Wallace Large.

In a space conceived as an encased, visceral environment—where sensation, movement, and material interplay—Wallace brings its own dialogue of surface and light. The Mirror Polish finish captures and distorts its surroundings, amplifying the space’s speculative, shifting nature, while the Satin finish absorbs and diffuses light, offering a subtler, tactile presence. Together, these iterations extend Wallace’s sculptural language, emphasising both reflection and restraint, sharpness and softness.

Positioned within Oigall’s radical reimagining of domesticity and self, Wallace becomes not just a source of illumination but a conduit for atmosphere—shaping, warping, and participating in the sensory landscape of the booth.

    FINISHES:     Mirror polish, Satin
    SIZES:        Wallace, Wallace Large